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Shree Mai - Shri Yantra

A dive into you. This write up is an exploration of the infiniteness of Adi Shakti who is the creator of all that exists from Numbers, Language, Music, Frequency. Every atom/ atman in itself is a complete replica of the Whole/ Param Atman. We just have to unmask each layer of already existing knowledge within. I know what She shows me through the meditative paintings that she brings out through me. The experience cannot be put into words. The video brings forth the transformative energies intended for one and all.




 “Number rules the universe.” – Pythagoras

I was born on the 28th (= 1)(9th month),  in a hospital and brought to apartment 1 (#101) of an 11 Storied building (4 apts x 11=44) It’s the 9th plot on a street, named after a comet. Pincode 110001


1Bldg with 44 flats = 144 with 3 bedroomplan = 144x3 = 432 ~ perfect frequency for Music

432 x 9 (street number) = 3888

3888 x 12 (I was guided to do that) = 46656

Next, as soon as I typed 4665 on google, it gave me the prompt of the entire number and its cube root. Upon research I come to know that 46656 is the perfect cube of 36. Means 36 x 36 x 36 = 46656.

36 Gunas (or dosha/qualities) are matched in the couple’s birth charts as Arranged Marriage preps. You don’t hear of these Gunas before or after.

3+6 = 9 (triad of 369 – also 3x3=9 and 6x3=18=1+8=9) --- ]

 

1 Is the Number of the Sun. 1 is the number associated with Unity in Diversity. One means Whole or Complete. 2 brothers and I’m number 3.

3 is the number of Creative Mastery, problem solving, sunshine, positivity, compassion.


“You have to be odd to be number one.” — Dr. Seuss


1.    My mother’s original name means “that which is writ” – Rta. Her name changed after marriage and means Full Moon/ Completion (born on 9)
2.    My Father’s name means “good judgement” (born on 14 = 5)
3.    My Paternal Grandmother’s original name meant “Contentment” after marriage she became “Hope” (supposedly born on 15 = 6)
4.    My Paternal Grandpa’s name means “the Lord of the Suras” or “The Sun” (supposedly born on 26 = 8)
5.    My Maternal Grandma was “Shakuntala” – the story of amar chitrakatha that enchanted me since childhood.(3)
6.    My Maternal Grandpa had a name that Krishna was called by.(1)
7.    I am the 9th born child in my generation with my last name, and 18th in my mother’s side of cousins. Last both sides.

 

So what is all this about numbers and names? Well, they are our Frequency. Numbers are personified and imbued with essence.

In 2011 I started seeing 11 everywhere and often. It was either 9:11, 11:11 or the car-number plates showed 1122, 1144, 1133 or just


 “There is Strength in Numbers” – the statement itself holds “strength” / a power of 3 strengths  First strength = structural strength/ quantity (numbers), Second strength – is the esoteric power of a collective/ quality ("strength in numbers"), Third strength – the intention/ context of the statement/ tone of expression (usually heard/ felt).


“Numbers have life; they’re not just symbols on paper.” – Shakuntala Devi

 

 Look into your numbers and see which Energy form/ Shakti you connect with.

 

1  MANIDVIPA

Manidvipa (Sanskrit: मणिद्वीप, lit. 'island of gems'; IAST: Maṇidvīpa) is the celestial abode of Mahadevi, the supreme goddess, according to the Shaktism tradition in Hinduism.[1] It is an island situated in the middle of an ocean called the Sudha Samudra (the ocean of nectar). In the Devi Bhagavata Purana, Manidvipa is portrayed as the Sarvaloka, the highest world that is superior to Goloka, the realm of Krishna and Radha, Vaikuntha, the realm of Vishnu and Lakshmi, Kailasa, the realm of Shiva and Parvati, and Brahmaloka, the realm of Brahma and Saraswati. This is consistent with the scripture's portrayal of goddess Tripura Sundari being greater than any of the Trimurti. In her form as Tripura Sundari, Devi is the ruler of Manidvipa. It is believed that Mahadevi created this island according to her will.[1]

In the very beginning, the Devi Mula Prakriti Bhagavati built this place for Her residence, superior to Kailasa, Vaikunta and Goloka. Verily no other place in this universe can stand before it. Hence it is called Manidvipa or Sarvaloka as superior to all the Lokas

— Canto 12, Chapter 10, Verses 03:04

 

According to the goddess-centric tradition, during the beginning of time, the Trimurti – Brahma, Vishnu, and Rudra - did not know who they were, and what their purpose was. At this time, a flying chariot appeared before them, and a heavenly voice directed them to board the chariot. As the Trimurti boarded the chariot, it started flowing with mind's speed and took them to a mysterious place, which was an island of gems surrounded by an ocean of nectar and pristine sylvan forests. As they stepped out of the chariot, the Trimurti were transformed into women, much to their astonishment. As they explored the island, they came across an imposing city protected by nine enclosures and guarded by fierce Bhairavas, Matrikas, Kshetrapalas, and Dikpalas. As they entered the city, they were amazed by its prosperity and soaring infrastructure and finally reached the imperial palace, known as Chintamani griha, guarded by yoginis. This city is called Śrīpūra (Devipattana), the capital of Tripura Sundari, the ruler of Manidvipa, the abode of Adi Parashakti. When they entered the palace, they observed Tripura Sundari, who is described to be the queen of all the universes. Brahma describes her sitting on her throne in the Devi Bhagavata Purana: 

 

In The Tripura Rahasya's Jnana Khanda, the goddess Tripura Sundari says that the abode of her material form is Manidvipa:

In the island of jewels, encircled by the ocean of nectar, beyond the universe, there is a mansion made of Chintamani (wish giving jewel) in the grove Kadamba (Burflower) trees. There is a platform with four legs representing Brahma, Vishnu, Mahesha and Ishwara, and the platform itself represent the back Sadashiva. On it, is installed my non-transcendent form as Tripura in the form of eternal consciousness.

— Shri Tripura Rahasya (Jnana Khanda), Chapter 20, Verses 36:37

 

+10 MAHAVIDAYAS - DASHAMAHAVIDYA

 

Todala-Tantra Association between the Mahavidyas and the Dashavatara

 

 

 

Videos

 

 

 

 

8  MATRIKAS

Matrikas (Sanskrit: मातृका (singular), IAST: mātṝkā, lit. "mothers")[2] also called Matar or Matri, are a group of mother goddesses who are always depicted together in Hinduism. The Matrikas are often depicted in a group of seven, the Saptamatrika(s) (Seven Mothers).[3] However, they are also depicted as a group of eight, the Ashtamatrika(s).[4] In the Brihat Samhita, Varahamihira says that "Mothers are to be made with cognizance of (different major Hindu) gods corresponding to their names."[5] They are associated with these gods as their spouses or their energies (Shaktis).[6] Brahmani emerged from Brahma, Vaishnavi from Vishnu, Maheshvari from Shiva, Indrani from Indra, Kaumari from Kartikeya, Varahi from Varaha and Chamunda from Chandi.[7] and additionals are Narasimhi from Narasimha and Vinayaki from Ganesha.

 

 

The eight Matrikas in battle (top row, from the left) Narasimhi, Vaishnavi, Kaumari, Maheshvari, Brahmani. (bottom row, from left) Varahi, Indrani, Chamunda with Kali before them, all fighting against and killing the asura Raktabīja. A folio from Devi Mahatmya.

The iconographical features of the Matrikas have been described in Hindu scriptures such as the Mahabharata, Puranas such as the Varaha Purana, Agni Purana,[37] Matsya Purana, Vishnudharmottara Purana and Devi Mahatmya (part of the Markandeya Purana) and also in the Agamas such as the Amsumadbhedagama, Surabhedagama, Purvakarnagama, Rupamandana.

The Ashta-Matrikas as described in the Devi Mahatmya

2   Brahmani (Sanskrit: ब्रह्माणी, Brahmâṇī) or Brahmi (Sanskrit: ब्राह्मी, Brāhmī) is the Shakti (energy) of the creator god Brahma. She is depicted yellow in colour and with four heads. She may be depicted with four or six arms. Like Brahma, she holds a rosary, noose and kamandalu (water pot), lotus stalk, a book, bell and is seated on a hamsa (swan) as her vahana (mount or vehicle). She is also shown seated on a lotus with the hamsa on her banner. She wears various ornaments and is distinguished by her basket-shaped crown called karaṇḍa mukuṭa. She is regarded as the consort of the deity Asithanga Bhairava.[38]

3   Vaishnavi (Sanskrit: वैष्णवी, Vaiṣṇavī), the Shakti of the preserver god Vishnu, is described as seated on the Garuda (eagle-man) and having four or six arms. She holds Shankha (conch), chakra (discus), mace and lotus and bow and sword or her two arms are in varada mudra (Blessing hand gesture) and abhaya mudra (No fear hand gesture). Like Vishnu, she is heavily adorned with ornaments like necklaces, anklets, earrings, bangles, etc and a cylindrical crown called kiriṭa mukuṭa. She is regarded as the consort of the deity Krodha Bhairava.[38]

4   Maheshvari (Sanskrit: माहेश्वरी, Māheśvarī), the Shakti of the destroyer god Shiva, also known as Maheshvara. Maheshvari is also known by the names Rudri, Rudrani, Maheshi, Shivani derived from Shiva's names Rudra, Mahesha, Shiva. Maheshvari is depicted seated on Nandi (the bull) and has four or six hands. The white complexioned, Trinetra (three eyed) goddess holds a Trishula (trident), Damaru (drum), Akshamala (A garland of beads), Panapatra (drinking vessel) or axe or an antelope or a kapala (skull-bowl) or a serpent and is adorned with serpent bracelets, the crescent moon and the jaṭā mukuṭa (A headdress formed of piled, matted hair). She is regarded as the consort of the deity Ruru Bhairava.[38]

5   Indrani (Sanskrit: इन्द्राणी, Indrāṇī), also known as Aindri, (Sanskrit: ऐन्द्री, Aindrī), Mahendri, Vajri, is the power of the Indra, the god of thunderstorms. Seated on an elephant, Indrani, is depicted dark-skinned, with two or four or six arms. She is depicted as having two or three or four eyes like Indra, and a thousand eyes on her body. She is armed with the Vajra (thunderbolt), goad, noose and lotus stalk. Adorned with variety of ornaments, she wears the kiriṭa mukuṭa. She is regarded as the consort of the deity Kapala Bhairava.[38]

6   Kaumari (Sanskrit: कौमारी, Kaumārī), also known as Kumari, Kartiki, Kartikeyani, Ambika[39] is the power of Kartikeya, the god of war. Kaumari rides a peacock and has four or twelve arms. She holds a spear, axe, a Shakti (power) or Tanka (silver coins) and bow. She is sometimes depicted six-headed like Kartikeya and wears a cylindrical crown called kiriṭa mukuṭa. She is regarded as the consort of the deity Chanda Bhairava.[38]

7   Varahi (Sanskrit: वाराही, Vārāhī), is also known as Vairali, Verai, Dandini, Dandai is the power of Varaha, the third and the boar-headed form of Vishnu. She holds a Danda (rod), plough, goad, a Vajra or a sword, and a Panapatra and she rides a buffalo. Sometimes, she carries a bell, chakra, chamara (a yak's tail) and a bow. She wears a crown called karaṇḍa mukuṭa with other ornaments. She is regarded as the consort of the deity Unmatha Bhairava.[38]

8   Chamunda (Sanskrit: चामुण्डा, Cāṃuṇḍā), is also known as Chamundi and Charchika, is the power of Chandi, a form of Parvati. She is almost like Kali and is similar in her appearance and habit.[40] The similarity with Kali is explicit in the Devi Mahatmya.[41] The black coloured Chamunda is described as wearing a garland of severed heads (Mundamala) and holding a Damaru (drum), trishula (trident), sword and Panapatra (drinking-vessel) and wears a karaṇḍa mukuṭa. Riding a jackal, she is described as having three eyes, a terrifying face and a sunken belly. She is regarded as the consort of the deity Bhishana Bhairava.[38]

9   Narasimhi (Sanskrit: नारसिंही, Nārasiṃhī) is the divine energy of Narasimha (the fourth and lion-man form of Vishnu). She is also called as Pratyangira, the woman-lion goddess who throws the stars into disarray by shaking her lion mane and wears a karaṇḍa mukuṭa. She is described as holding a Damaru (drum), trishula (trident), sword and Panapatra (drinking-vessel). She rides on a lion. She is regarded as the consort of the deity Samhara Bhairava.[38]

 

Though the first six are unanimously accepted by texts, the name and features of the seventh and eighth Matrikas are disputed. In the Devi Mahatmya, Chamunda is omitted after the Matrikas list,[42] while in sculpture in shrines or caves and the Mahabharata, Narasimhi is omitted. The Varaha Purana names Yami – the shakti of Yama, as the seventh and Yogeshvari as the eighth Matrika, created by flames emerging from Shiva's mouth.[43] In Nepal, the eighth Matrika is called Mahalakshmi or Lakshmi is added omitting Narasimhi. In lists of nine Matrikas, Devi-Purana mentions Gananayika or Vinayaki – the shakti of Ganesha, characterized by her elephant head and ability to remove obstacles like Ganesha and Mahabhairavi omitting Narasimhi. The female power shakti called as Kalyani of the god Matsya, the first and fish avatar of Vishnu is also included sometimes in Central India. Devi Bhagavata Purana mentions 2 other Matrikas Varuni (shakti of Varuna), Kauberi (shakti of Kubera) and Narayani, (shakti of Narayana).[19]

 

9  Durgas – NAVADURGA/ Rasaas~Bhavas

 

 

 

35 ANCIENT EGYPTIAN GODS AND GODDESSES

– ENNEAD -- The (Great) Ennead is a collective of 9 major gods and goddesses that were worshiped throughout Egyptian history

 

 

 

 

Nine Rasas / Bhavas - The Rasa Theory in Bharata Muni’s Natya Shastra

 

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