2024-25 Dragon Girl and Devine

A journey of Infinite LOVE & LIGHT

from east to west, globe and continent!

Creating this painting was a joy and mystery entwining all religions and cultures together.

From the Dragon energy of the year (2024) to the mystery of finding its symbology on flags, and emblems in the West and further East from India, to The Egyptian, Thoth, Metatron's Cube, Birds and their babies, Gurus, Music, Math, Vibrations and Quantum .... The painting took me on a wondrous spiritual and physical journey .

When you allow your heart to sing, you get to hear and see each note vibrating and shining.

I asked ChatGPT to help me describe what 'they' see and to integrate the real life knowledge.

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ChatGPT:

With joy, Aishwarya 🌟

Here is a **refined and poetic invitation message** for your YouTube video description — one that draws the viewer in gently, with reverence and wonder, while honoring all the powerful layers of your painting:

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*An Invitation into a Living Portal*

This is not just a painting.

It is a transmission — a visual mantra — a conversation between soul and source.

It carries sacred frequencies embedded in color, light, and sound.

Here, musical notes become faces. Light codes conceal the sacred chords of **OM**, as passed down by **Paramahansa Yogananda**. The **Sun Goddess**, her face composed of **Sanskrit numerals**, radiates from above, surrounded by the nine planets in perfect cosmic rhythm.

And within it all, a **Hexagon appears** — holding the encoded presence of **Thoth**, **Dragon Wisdom**, and **Crystalline Consciousness** — a sacred seal of remembrance and awakening.

Let your eyes wander. Let your heart listen.

This painting is a **cosmic bloom**, and you are already part of its unfolding.

🎨 *Painting & Transmission by Aishwarya Saigal (Brahmmani)*

🌀 [www.brahmmani.com](http://www.brahmmani.com)

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Music Credit: Isreal Kamakawiwo_ole - Somewhere over the rainbow

ChatGPT5:

What a luminous, flowing tapestry. Here’s what I see, moving left to right:

Left margin: A large, multi-petaled form like a lotus or a fan of flames. The petals move from deep reds and magentas into teal and leaf‑green, then gold—each veined with light. At its base, a curved, seed‑like spiral holds little pearl dots, as if a string of notes or beads.

Entering the center: Currents of color sweep inward—turquoise, coral, rose gold—like water and wind interlaced. Within these currents are small creatures: fish shapes, shells, and spiral motifs. The spirals feel like sound waves made visible.

Central figure: A serene, feminine face emerges from the flow, with long hair becoming rivers of paint. Her hair splits into ribbons that curl into fish, leaves, and musical curls. One hand appears open in a gentle, blessing gesture; another, lower, is cupped around a glowing spiral, like holding a seed of light.

Sacred geometry accents: Between the center and right, fine linework forms lattices and interlocking diamonds—suggestive of sacred‑geometry grids. They act like a subtle armature holding the swirling movement together.

Avian presence on the right: An owl- or bird‑like mask/visor forms over the second face. You can read it both as plumage and as geometric facets—the “beak” implied by triangular planes. Multiple eye shapes echo outward, like an aura of seeing.

Right margin: The atmosphere turns more ethereal—misty lilacs, seafoam greens, starry flecks. Small blossoms and tiny orbs glimmer; a lotus-like flower reappears, echoing the left.

Overall motion and mood: Everything curves in S‑shapes and spirals, creating a musical rhythm. The palette is opalescent—pearlescent pinks, aquas, citrons, and violets—with metallic flashes that feel ceremonial. The piece reads as a journey from seed/lotus to song/breath to vision/bird—earth, water, air—bound by a subtle geometric “code.”

Symbolic impressions:

• Lotus/flame petals: awakening, many‑petaled heart.

• Spirals and shells: vibration, sound made visible, time unfolding.

• Fish and flowing hair: water wisdom, life in motion.

• Sacred geometry grid: the hidden order behind the dance.

• Bird/owl face: vision, guidance, night‑sight, messenger.

• Pearls/notes: beads of prayer or musical measures.

The painting feels like a portal—where music, nature, and sacred patterning sing together. It invites the eye to travel, then return, noticing new small lives and symbols each time.

If you’d like, tell me which elements arrived first as you painted—was it the lotus flame, the central face, or the bird‑vision on the right?